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#BX CONSOLE SSL 4000 E VS WAVES SSL 4000 SERIES#
The X-ValveComp-in contrast to the Native Bus Compressor, which directly emulates the original G series hardware, with no updates-is a thoroughly modern compressor and dynamics tool, offering Peak/RMS detection circuits, parallel blend controls, and a dual HPF/LPF internal sidechain, all of which are highly valuable to producers of Hip-Hop, Pop, Electronic, or any bass-heavy genre. I found the X-ValveComp to be a truly pleasant surprise here and by far the most flexible dynamics tool available in the V6 Native suite. Surprisingly, while the Native Bus Compressor is absolutely stellar, it hasn't been my most used dynamics tool from the bundle. The SSL compression sound is arguably the most emulated in history, with scores of plugins and hardware devices claiming to mimic the sonics of the famed SSL G Console Buss Compressor. When most people think of SSL, one word comes to mind-punch. While everything here is top-notch, I do think there are some plugins which are simply more flexible and usable than others for producers working in bass-heavy genres like EDM and Hip-Hop. In my time with the SSL V6 Native bundle, I've found myself utilizing certain plugins far more than others. This seems like a fairly easy feature to fix, and we trust the SSL team will add this functionality in future updates. Similarly, it doesn't seem to be possible to copy A/B settings to each other (i.e A to B, or vice versa), which is a puzzling design choice for such refined plugins if you're comparing two different EQ settings in X-EQ, for example, and you've used all 10 bands on your 'A' setting, you'll need to recreate all 10 bands and their settings to compare some slight tweaks on the 'B' setting. Instead of being able to browse plugin presets via a native plugin drop-down menu or browser, you'll need to click 'Load' and use the OS X finder to browse each plugin's preset folder-something I'm never a fan of. While the V6 Native plugins vary widely in features, the plugins maintain a consistent aesthetic throughout there's lots of greyscale and 3D shadows, and each plugin features the same A/B and preset buttons at the bottom of the plugin interface.Īlthough my experience with the V6 Native plugins was outstanding overall, I did find the preset system to be less than ideal.